Spring Break

Dream-Self

Caitlin
from Daughters of Job
copyright Ali Malone

I'm not really a photographer from Minnesota, as much as I'd like to pretend sometimes because it does sound romantic and man, are some of them successful. I just lived there for four and a half years and was lucky to meet some great photographers who were actually born and bred in those parts. My friend, Ali Malone, is the real deal. Ali moved out to New York a year after I did for the graduate photo program at SVA. I took my first of many Photoshop classes with Ali at MCAD, and she taught me what an adjustment layer is and how to composite images. I am extremely slow and dumb and forgetful, but Ali is a techi whiz kid if I've ever met one.

Ali has work in a group show called Dream-Self opening tomorrow at Broadway Gallery in SoHo. The photographs in this series, "Daughters of Job," portray a secret society of girls ranging in ages from 10 to 20 years old who are the daughters and granddaughters of Freemasons. According to Ali, "These images are concerned with the psychology of identity formation through traditional ritual and role-playing within a patriarchal organization."

To read more about the exhibition, check out the press release.

Dream-Self
Broadway Gallery
473 Broadway, 7th Floor
opening Thursday April 3rd, 6-8pm

Todd Hido

from House Hunting
copyright Todd Hido

I was excited to learn that Todd Hido will be talking about his new monograph, Between the Two, at Aperture Gallery on Tuesday. I have long been a fan of his gorgeous photographs, and his work has been included in two group shows at Jen Bekman Gallery. His earlier books - House Hunting, Outskirts and Roaming - are staples in the night photography class I teach at the ICP. In fact, one of the assignments I give students is to research a photographer and shoot a series of photographs that reflect, exaggerate or even parody his or her style, subject matter and use of lighting. Every session, at least one student chooses Todd Hido's work, and in my current class, almost a third of the students referred to Todd Hido as their source of inspiration. His mastery of light and his ability to create a sense of mystery and mood is undeniable and almost baffling.

I do, however, find that his recent images of anonymous models in hotel rooms, which are included in his new monograph long with images of the interiors of abandoned houses, undermine the rest of his work. Aside from their technical expertise and seductive lighting, these images strike me as little more than soft porn. Or advertising shots for whiskey or luxury cigarettes.

What is sexy about most of his work is what is left to the imagination. The model shots seem too explicit, obvious and cliched. It is disappointing, really.

But nevertheless, I look forward to hearing what Todd has to share about his motivations and processes ...

Todd Hido
Artist's Lecture
Aperture Gallery
547 West 27th Street, 4th Fl.
Tuesday April 1, 6:30pm

Sexy Rooms

Canon Falls (Cobain Room)
copyright Melanie Schiff, 2007


H.S.-N.Y.-0-94
copyright Dirk Braeckman


Abduction
from Fire Scene
copyright Sarah Pickering, 2007

Sometimes on my days off from working to pay NYC rent, I remind myself of the most obvious fact that the greatest luxury of living in this city is the ability to see extremely cool art beyond the internet on any given day. Recent trips away from my suburban haven in Brooklyn and into the big city led me to some beautiful and haunting rooms.

One of these rooms is currently on the wall of the Whitney Museum and was brought to us from Minnesota by a photographer based in Chicago, Melanie Schiff. Melanie has photographed a young woman standing with her back to us between parted curtains in a hotel room in Canon Falls, where Kurt Cobain recorded an album with Nirvana. The quality of light and the eerie lore surrounding the image left me standing in front of the it for a long time, mesmerized and quietly unnerved, and returning to it the following day. Her other images in the Biennial include similarly seductive and beautiful and pensive explorations of physical and psychological spaces such as a bathtub harboring an oversized house plant and a dark blue album decaying in a reflecting pool. Both resemble still life paintings and possess a simplicity and depth that rarely seems to be achieved so well in photographs.

I also liked what Melanie wrote about what motivates her work. She said "she wants to make photographs that are like a sad song that - even though created by someone else - somehow resonates with our own experience." She couldn't have accomplished that goal more poignantly, as far as I was concerned. It didn't seem accidental that her photographs were positioned in proximity to Robert Bechtle's photorealist paintings of empty, quiet, tranquil streets. The combination of these two bodies of work was the highlight of the Biennial for me, though I am admittedly biased and have a short attention span for the abundance of video and installation pieces.

I later discovered a vast series of rooms photographed by a Belgian photographer, Dirk Braeckman, at Robert Miller Gallery in Chelsea. When I moved to Minnesota in the winter of 2001, the first thing I bought was a small green book containing grainy black & white images of feebly flash-lit interiors with absolutely no trace of text. I fell in love with it in the bookstore at the Walker Art Center and brought it back to my suburban ranch house in St. Louis Park. I had never heard of Dirk Braeckman before and haven't heard of him since. According to The New Yorker, this is his first solo show in New York. The New Yorker described his noirish images of beds and couches and curtains and wallpaper as "deeply depressing" but I found them to be something more along the lines of profoundly mysterious.

Just one block below at Daniel Cooney Fine Art, I even got to see some rooms on fire. Wow. Sarah Pickering's new images were made in "burn units" - which, I learned, are fully furnished rooms rigged to teach forensic teams how to determine the origins of household fire and arsons. Well, the effect is astonishing. I couldn't stop wondering enviously how it is that some artists arrive at such crazy and amazing ideas. Why didn't I think of that? How fun would that have been to photograph? It appears from her website that Sarah is a big fan of explosions. Check it out.

Thank you ...

Well, I made it out of the panel discussion alive and in fact, truly enjoyed the dialogue with Amy and the other panelists. Thank you to Amy Stein for leading our discussion and thanks to Cara Phillips, Mary Mattingly, Sarah Small and Dina Kantor who filled in for Rachel Dunville.

Thanks also to the 3rd Ward and Ladies Lotto as well as Jon and Amani and the rest of Humble Art Foundation for facilitating the exhibition and event.

Also, thanks to my friends who shared their experiences and insights as women in the art world and beyond when I contacted on them on Saturday afternoon to help me prepare for the discussion: Alex Loria, Suzy Poling, Heather Willems, Agnes Dahan, Athena Waligore, Debbie Grossman, and Corinne Dolle.

And thanks to those friends who showed up, despite my neurosis.

Women in Art Photography

Heard
from Born Enough
copyright Rachael Dunville

I will be joining a panel of emerging female photographers based in New York at the 3rd Ward on Saturday to discuss what it means to be a woman making art photography. This discussion is in conjunction with the current exhibition in The Gallery at the 3rd Ward called 31 Under 31: Young Women in Art Photography organized by Humble Art Foundation and Ladies Lotto.

The panel will be moderated by photographer Amy Stein, whose work and blog and active presence in the photo world have been a great source of inspiration to me and to countless other photographers - men and women alike.

Pictured above is my favorite image in the exhibition by photographer and panelist, Rachael Dunville. Other panelists include Cara Phillips, Mary Mattingly and Sarah Small.

As I am intensely shy and nervous about speaking in front of groups of people, I am sorry to say that I am not actually planning to invite anyone I know in real life as I might have to see them again. It is only Tuesday and already, I am a bit queasy thinking about it. But I'd have felt worse if I ran away from this, as it is such a worthwhile topic and group of women, and in theory, I suppose one should do their best to overcome these fears.

Women in Art Photography
3rd Ward
195 Morgan Avenue
Saturday, March 22/6-8pm

Taiwan Bus Series, 2002

Yesterday, the rain and howling winds left me hunched over my computer for ten hours straight spotting dust off of dusty scans of negatives from a trip I made to Taiwan in the summer of 2003.

One of the prints from a series I shot from the window of a bus en route to Taipei was recently donated by George Slade, Director of the Minnesota Center for Photography, to the Minnesota Museum of American Art in memory of their former director, Jim Czarniecki. I thought it would be a good opportunity for me to revisit these images and to create digital files for the first time.

Anyone who knows me knows that I spend most of my life in a state of unfulfilled romantic longing for one thing or another, and when I returned to Minneapolis in July after three weeks in Taiwan, I was heartbroken. I had culture shock coming home, as the abrupt shift in color palettes and cultural stimuli left a gaping hole in my soul.

I got a job waiting tables in a Thai restaurant. I bought a rice cooker and a dragon blanket. I watched all of Tsai Ming-Liang's films and all of Wong Kar Wai's films. I watched Japanese horror films. I wrote grant proposals to return to Asia to shoot photos, none of which manifested into another trip.

Eventually, I moved to New York City, and the pain has reconfigured into something else. When I take students in my night photography class at the ICP on field trips in Chinatown, I am reminded of these old feelings. I love their photos of chickens in foggy windows and of glittering things for sale. I love those splashes of pink and red and the blur of haunting faces on the street.

Tyler School of Art

I have a small show consisting of older and more recent images currently on view at Tyler School of Art in Philadelphia. I'm hoping I can jump on the Chinatown bus sometime this month to visit the school and to eat some awesome Vietnemese food. Philly cheese steaks are way more than I can handle - yuck.

Thank you to Karen Kirchhoff and Michele Tecco for organizing the show, and to Dave Kube and Tamsen Wojtanowski for driving up to Brooklyn to pick up the work.

Tema Stauffer: Selected Works
Elkins Hall Gallery
Tyler School of Art
Thru March 21rst

31 Under 31

I am looking forward to the opening tonight of 31 Under 31: Young Women in Art Photography at The Gallery at the 3rd Ward. This exhibition was organized by the Humble Arts Foundation in collaboration with Ladies Lotto and curated by Jon Feinstein and Lumi Tan.

The exhibition includes photographs by Amy Elkins, Ashley Lefrak, Dru Donovan, Elaine Stocki, Helen Maurene Cooper, Ka-Man Tse, Mary Mattingly, Ahndraya Parlato, Alejandra Laviada, Alana Celli, Alex Van Clief, Allison Grant, Catherine Maloney, Dina Kantor, Hannah Whittaker, Jessica Bruah, Jessica Roberts, Jaimie Warren, Kate and Camilla, Kelly Kleinschrodt, Marta Labad, Manya Fox, Molly Landreth, Nadine Rovner, Rachael Dunville, Reka Reisinger, Sara Padgett, Sarah Small, Sarah Sudhoff, Talia Chetrit and Tealia Ellis Ritter.

31 Under 31: Young Women in Art Photography
The Gallery at the 3rd Ward
195 Morgan Avenue
March 1 - 28

St. Paul, Minnesota

After we retrieved the car from the snowbank, I drove Emily back to her temporary home in St. Paul. She took off the winter head gear and put on lipstick, and I followed her around the house looking for some place with enough light to take pictures.

I told Emily she was like a force of nature - not like anyone I have ever met.

She once told me she never let things get confusing because she is not gay and that's not a nice thing to do to gay girls. And that's real love in my world and why we remain such great friends.

Emily and the Shanty of Misfit Toys

Anyone who has read her book, Glory Goes and Gets Some, knows that Emily Carter has been through some pretty rough experiences and has survived to tell the story. Last week, Emily and her dog, Lefty, agreed to brave a blustery afternoon on Medicine Lake in order to explore the shanties with me. While Lefty slid on the ice and sniffed various shanties, Emily and I discussed how it feels to have siblings who get married, have children, own homes and enjoy a financial security that eludes the likes of the two of us. Upon exiting the parking lot near the lake, Emily and I got the rental car stuck in a snowbank for dramatic effect and were rescued once again by Minnesotans.

Hard Times

What with the war, the economy, the mortgage crisis ... even shanties are struggling.

The Ice Museum

If this shanty had internet access and a doggie bed for Paris, I could almost live here...

Snap Shot Shanty

One of my favorite new shanties is The Snap Shot Shanty, where I had my picture taken. If I look slightly like a corpse, that is because it was awfully frigid out there, and I can't sleep more than seven hours straight to save my life. Or maybe I'm just creepy, who knows.

Norae Shanty

One of the oldest and most lively shanties is The Norae Shanty designed by artist, Mike Hoyt. Inside, you will find Minnesotans singing karaoke and drinking beer. Both my glasses and camera lens fogged up the second I walked in the door, so this is what the scene looked like to me ...

Auto Ethnographic Guide Service

Here's where all the fun began five years ago ...

Don't know what Auto Ethnographic means? (I didn't).

Ask Peter.

Doing Fine

Congratulations to Jen Bekman on delivering an excellent talk, "Doing Fine: Emerging Artists and the Fine Art Market," at The Minnesota Center for Photography on Monday night. Jen is pictured below after her lecture along with some of my favorite Minnesotans who came to hear her speak.


Jen Bekman


Susan Boecher


Peter Haakon Thompson


Kari Reardon


Bill Mondale

Jen Bekman

Peter Haakon Thompson and Jen Bekman in Art Shanty
Medicine Lake
Minneapolis, MN
February 2008

Another important woman in my life, Jen Bekman, is giving a presentation tonight about her experiences with artists and the art market at The Minnesota Center for Photography. Jen and I spent a few hours yesterday on Medicine Lake keeping warm with our dear friend, Peter Haakon Thompson, in the original shanty and touring the others. More photos to come soon.

Winter

Winter Branches
Austin, TX
December 2007

Red Tricycles

Red Tricycles
Marfa, TX
December 2007

Armchair

Armchair
Marfa, TX
December 2007

Silver Horse

Silver Horse
for Nicholas
Austin, TX
December 2007

Nicholas

Nicholas John Stauffer
Born Feb. 7, 2008
Photo by Devin and Dana

Here's my new nephew, Nicholas, born yesterday in Austin, Texas.

Isn't he cute??!!

I think he looks like a sailor.

Talking to GOD

Talking to GOD
Interstate 10 West
Texas
December 2007