Unicorn
Austin, Texas
copyright Barry Stone
Since I couldn't make it to Texas (and I'm just about over that now), I'm happy to report that Texas is coming to me. Well, not just me. Good friend and photographer Barry Stone is exhibiting seven photographs in his third solo exhibition at Klaus von Nichtssagend Gallery opening Friday March 26th. Originally from Texas, Barry spent some years in New York teaching at the ICP. He currently lives in Austin near my favorite place to swim, Barton Springs, and teaches at Texas State University in San Marcos. Barry is also the author of a beautiful photo blog, YES YES YES, as well as a new blog specifically devoted to images of Texas, O EMPIRE WIDE AND GLORIOUS.
According to the press release for this upcoming exhibition of his recent work:
Barry Stone employs a wide variety of practices as a means of generating singular images. His approach includes "straight" photography, rephotographing, computer-rendering, and manually reworking, and does not value one method above another. Instead, Stone takes an egalitarian view of image-making. At a time when an explosion of photographic imagery can seem to dilute the medium to an infinite stream of information, Stone displays a considered selection which exemplifies his varied approaches. Through the seven photographs, he has slowed the eye to focus on points within his photographic practice.
In two photographs—one of a "unicorn" at a children's party, the other of a woman pointing her digital camera at a sunset—the conceptual focus of the image is enclosed in the framing of a scene observed by Stone through the lens of his camera. Another work in the show is a rephotographed image of an oil painting, an image within an image. In a third piece, Stone employs the conceit of the self-referential image again by spray-painting an arc on a photograph of a corner space and rephotographing, collapsing the pictorial space back into abstract elements.
The image Alan Greenspan as a Rainbow in Washington D.C. on October 23, 2009, 12.20.2009 was created by sampling the colors of a Washington Post press photograph of Greenspan testifying in front of the House Oversight and Government Reform Committee and creating a gradient rainbow from those colors, a nod to the connection between photography and currency, neither of which is tied to a gold standard that delineates a definitive value.
Stone's photographs deal with the problems of description in photography, and can reflect our perceptions of reality as we acknowledge the factors which inform their production and interpretation.His aesthetic in this regard is as indebted to the language of painting as it is to the language of advertising as it is to capitalist production.
I Met a Unicorn
Barry Stone
Klaus Von Nitchtssagend Gallery
438 Union Avenue
Brooklyn, NY
March 26 - April 25
opening reception Friday, March 26, 7 - 9pm
