Showing posts with label Karen Azoulay. Show all posts
Showing posts with label Karen Azoulay. Show all posts

Saturday, February 26, 2011

CLIMATE


CLIMATE:
Karen Azoulay, Jem Cohen, Brent Green, Ben Kingsley and Jessica Langley, Carolyn Monastra, and Dan Torop

CLIMATE, curated by Megan Cump and Carolyn Monastra, features short films/videos that blur the distinction between the outer environment and an inner more psychological realm.


ARTPROJX CINEMA at the SVA Theatre, New York
in association with The Armory Show and VOLTA NY

FREE screenings:
Wednesday, March 2nd: 8:45 - 9:15 pm
Thursday, March 3rd: 5:05 - 5:35 pm

The SVA Theatre
333 West 23rd Street (between 8th and 9th Avenues)
New York, NY 10011

Wednesday, November 4, 2009

culturehall news


For the current issue of culturehall's FEATURED WORK , I selected images from four artists who whose work employ unique surfaces and conceptual methods drawing from their interest and experience in various media.

Karen Azoulay combines sculpture, painting, photography and performance to create hybrid conceptual works. Her theatrical installations, which often involve an interaction between the artist and objects she has made in a studio, reference mythology and classical painting and conjure a heightened sensory atmosphere. Fire, water, light, rock and other elements create rich color fields and a mysterious sense of a symbolic significance.

For the her recent series of ink-and-wash drawings which were exhibited at Nature Morte Gallery in Berlin earlier this fall, June Glasson staged photo shoots based on images from a 1860’s publication, Sins of New York, depicting women engaged in scenes of violence and revelry. The influence of fashion, illustration and decorative art can be seen in these charged images that question the limits and acceptability of female behavior in urban society.

Moscow-born artist, Leeza Meksin, uses a variety of paints and textiles in her paintings and installations to create complex and metallic surfaces. Spandex predominates in her list of materials and can be found both stretched over the surface of her paintings and also within her large-scale sculptural pieces. Selections of her work were exhibited this fall in a group show at Thomas Erben Gallery in New York and in a solo exhibition at the Abington Art Center in Philadelphia.

Craig Prehn, an artist with roots in Detroit and Chicago, has ventured west and now resides in San Francisco. His most recent series of drawings, An American Western, examines the mythology and stark beauty of the western journey. Prehn, whose background is in photography, collects and views found snapshots of the American vernacular as inspiration for these simple and evocative pen-and-ink sketches.


In The Water (3), by Karen Azoulay


She Caught It Hot, by June Glasson


Splayed Rack, by Leeza Meksin


Glasses, An American Western, by Craig Prehn