Tuesday, September 30, 2008

Women in Photography


Untitled
Wendover, UT
2007
copyright Victoria Sambunaris

I am looking forward to tonight's Women In Photography Panel Discussion hosted by Aperture Gallery. Co-founders, Amy Elkins and Cara Phillips, will speak with selected photographers who have contributed to WIP, a fantastic new website featuring work by contemporary female photographers, about what it means to be a woman in photography today.

I met Cara Phillips last March when she and I participated in a panel discussion at the 3rd Ward organized by Humble Art Foundation and moderated by Amy Stein about women in photography along with photographers Sarah Small, Mary Mattingly and Dina Kantor. One of the most positive aspects of that experience for me is the lasting friendships and supportive relationships that I developed with all of the artists involved.

Cara Phillips and Amy Elkins kept the ball rolling with WIP, where I have discovered some great work by new and familiar female figures in photography. Among my favorite work showcased on the site are the evocative and epic American landscapes of photographer and explorer,Victoria Sambunaris, one of which is pictured above.

Women In Photography Panel Discussion
Aperture Gallery
547 West 27th Street, 4th Floor
Tuesday, September 30th, 6:30pm

Saturday, September 27, 2008

Arid Lands


The last time I saw my friend, Josh Wallaert, in Minnesota in 2005, he was talking about his plans to make a film with his friend and colleague, Grant Aaker, about the Hanford nuclear site in southeastern Washington State. This piece of land, where sixty years ago the government produced plutonium for the atomic bomb dropped on Nagasaki, is currently the focus of the largest environmental cleanup in history. And now, Josh is the co-director of an award-winning, exhaustively researched and beautifully filmed documentary feature called Arid Lands that is being shown in the New York Peace Film Festival at the Anthology Film Archives on Sunday September 28th.

According to their press release, Arid Lands takes us into a world of sports fisherman, tattoo artists, housing developers, ecologists, and radiation scientists living and working in the area. It tells a story of how people changed the landscape over time, and how the landscape affected their lives. Marked by conflicting perceptions of wilderness and nature, Arid Lands is a moving and complex essay on a unique landscape of the American West.

For more information about Arid Lands, please visit: www.sidelongfilms.com

Sunday, September 21, 2008

Main Street


Richard
Main Street
Binghamton, NY
September 2008

If America slides into a depression, or even if it doesn't, can I be Walker Evans or Dorothea Lange ... pleeeease? If the government has spent $700 billion on the war and might spend $700 billion more on bailing out Wall Street, could it set aside just a little funding for a photo project examining the effects of the economic decline and job losses of the last half-decade on a vast number of Americans? Is it selfish of me to think that way at a time like this?

One can at least dream while working a day job and listening to horror stories on the radio ...

Sunday, September 14, 2008

The Ballad of Sad Young Men


Justin
Greyhound Station
Binghamton, NY
September 2008

Besides the many real things to be afraid of and appalled by about Sarah Palin, did she really have to liken herself to a pit bull? As a pit bull lover and former owner who made everyone who happened to land on my blog this summer confront the loss of my dog, I was not the least bit excited and turned on by picturing Sarah as pit-in-lipstick, or convinced that it was an apt portrait. As if pit bulls don't get maligned enough, and frankly, I'd venture to say that Barack possesses more of the strength, intelligence and compassion that I associate with the pit bulls I have known and loved. Not that I necessarily see Sarah as pig-in-lipstick either (that's John McCain in drag), but perhaps more like one of those little, loud, yappy, vicious, sneaky, ankle-biting dogs.

Mostly these past couple of weeks, I have been spending my time worrying. Reading ... worrying ... turning the radio on and off ... worrying ... tuning into some blogs for some shared fears as well as some positive, hopeful thinking which is hard to come by alone ... swimming even more than usual to diffuse the anxiety and to locate some faith and optimism.

One one hand, living in New York City, I can assume that I exist amongst a significant population of peers with similar politics, but it is the America between the east and west coasts that I wonder and worry about come election day, and it is also that part of the country which, as a photographer, I care about the most. I am the kind of photographer who lights up like a kid in a candy shop when I step off the Greyhound bus in anyplace that resembles small town America.

I spent Labor Day weekend in Binghamton, which is currently where my heart is, and not just because my girlfriend lives there. I love the old houses and storefronts frozen in time and a downtown where the bricks haven't entirely succumbed to big box stores. I love the sprawling green trees and the big cloudy sky of a valley in the hills of central New York. I love sitting on a back porch and hearing next to nothing and seeing stars in deep darkness.

On Tuesday after Labor Day, while my girlfriend was at work at the Tri-Cities Opera, I spent the afternoon driving around in her little blue Volkswagon trying to put some of my affinity for Binghamton into images and feeling almost desperate since who knows when I will ever escape New York City again. Actually, if truth be told, I was prowling the streets for sad young men.

At the end of the summer, one of my closest friends in Minnesota, Anthony Stanton, sent me a description for a workshop he is teaching this fall in the theatre department at The St. Paul Conservatory of Music. His class, Heartsong, encourages students to create musical performances based on songs that resonate with our stories, our past, our hopes, our fears, our dreams and our losses. The song that he referenced as his own source of inspiration, The Ballad of Sad Young Men, has been sung by both Shirley Bassey and Roberta Flack and has some resonance in the gay community.

I was sorry I couldn't take his class, though I am barely musical, except when I try to play the violin with my girlfriend. But I, too, found his song inspiring and decided to approach it instead as an exercise in photography to give me some direction as I roamed Binghamton. And I discovered there is no shortage of sad young men in Binghamton and probably in every other town between the coasts. For that matter, who isn't a little sad right now?

Sunday, September 7, 2008

Fashion Week 2008

As fashion week kicks off in NYC, I got to be a fashion photographer this time around, and those super models below are none other than the gamut of employees who make up the strange and colorful world of Bergdorf Goodman. With the help of the new 5th Floor Visual Manager, Sarah Greene, I spent three days in front of a white back drop coaxing BG employees to jump, walk, dance, spin, punch, kick, juggle balls of yarn, read a newspaper, play with power tools, pretend they were in a Robert Longo drawing from the 1980's ... whatever it took to get them moving.

Thanks to the efforts of artist, Lynne Chan, also known to the art world as J. J. Chinois, the images arrived at a series of collages which were installed on panels on the 5th Floor of the store to celebrate the arrival of the new season.

If you just happen to find yourself on 5th Avenue and 58th Street, please drop by and check out the 5th Floor of the Women's Store, as well as the current windows, a tribute to New York Times Fashion on the Street photographer, Bill Cunningham.



















Thursday, August 28, 2008

Phoenix



Agnes and Phoenix
New York, NY
August 2008

Phoenix was born to my dear friend, Agnes Dahan, at Beth Israel Hospital at 9:38pm on August 8th after twenty two hours of labor. Phoenix was to be Phoenix were she a boy or a girl, and she came into the world with a lovely face and a head of dark, curly hair.

Just a few hours earlier in Michigan, my dog, Paris, passed away in a vet's office. His condition was even more dire than I had comprehended when I brought him home in July. My parents were present, and I talked to them shortly thereafter. I have spent the end of my summer grieving this loss, but I am truly relieved that his suffering has come to an end. And thanks again to everyone who reached out.

A friend asked where I think his spirit is now, and over the past three weeks, I have sought to answer that question for myself. So far, I have come up with five simple answers. His spirit is in dreams and memories. His spirit is in my heart, of course, and the hearts of many who knew him. His spirit is in dogs who I see on the streets of New York and who bring intense pangs of love and affection. And his spirit is in photographs that I cherish now more than ever - his soulful expressions, his seriousness, his silliness.

Sometimes, as a photographer, I almost lose sight of the fact that most people take photographs precisely for this reason - to preserve an impression of someone or something they love. That power and beauty of photography resonated with me in a profound way when I first opened my box of snapshots from our ten and a half years together.

As summer in New York winds down, I spent the afternoon accomplishing the last few essential things on my list of what to do in August. I watched Frozen River at the Angelika Theatre, an astonishing film about a pair of women struggling for survival on the snowy border of upstate New York and Canada. I saw black and white photographs by Scott B. Davis shot at night in the Land of Sunshine at Hous Projects. And I made it to Julie Saul in the knick of time for When color was new (vintage photographs from around the seventies), including work by early color photographers who never fail to remind me why I love this medium, like William Christenberry and William Eggleston.

Tomorrow, I leave on the Greyhound for Binghamton, NY to spend Labor Day weekend with my new girlfriend and her darling mother. I was excited to learn that not only is Binghamton the Carousel Capital of the World, it's also the hometown of Rod Serling ... creator of ... The Twilight Zone. How cool is that?

For now, my full attention goes to the radio, and to Barack Obama, and to one of those most inspiring moments in political history of my lifetime.


Cannon's Grocery
near Greensboro, AL
1972
copyright William Christenberry


Untitled (Vizcaya, Miami)
1985
copyright William Eggleston

Wednesday, August 27, 2008

Brett Bell Reprise








Brett Bell's Birthday
Brooklyn, NY
August 2008

I confess, I have a little crush on Brett Bell. Or maybe he is like the baby brother I always wanted but never had. Brett turned twenty six last night, which means when I was twelve, he was three years old.

Brett's mom, Linda, is in town from Missouri for Brett's birthday and his MFA Thesis Show which opens tonight at Parsons. Linda made the super sweet pink birthday cake pictured above and said that she is responsible for taking Brett to flea-markets where he developed his collections of old photographs, icons and kitschy American stuff. And it's definitely no mystery where Brett's good looks and sweetness come from.

Thank god for moms who love and nurture their gay artist sons.

Other participating artists in tonight's MFA Photography Thesis Exhibition include: Mark William Fernandes, Nathaniel Harger, Meghan McInnis, Kyung Mi Park, Haley Samuelson, Sean Simpson, Kirsten Springer-delgado, Meng-Hsun Wu, Tingting Xu and Grace Yang.

MFA Photography Thesis Exhibition
Parsons The New School for Design
66 Fifth Avenue
Thru September 12th

Saturday, August 23, 2008

Nymphoto

An interview with me that was conducted this summer by photographer and blogger, Nina Corvallo, was recently posted on the Nymphoto blog and can be found here: Nymphoto Conversation with Tema Stauffer. Nymphoto is a collective of women photographers which functions both as a website to promote the work of women photographers and as a blog to feature news and encourage dialogue about women in the art world.

My relationship with Nymphoto originated nearly six years ago while I was still living in Minnesota. During a trip to New York in the summer of 2002, one of my oldest and closest friends in the arts, Zoe Edmonds, mentioned the newly emerging collective to me and suggested I contact her friend, Nina, to get involved. Some of my work was added to the Nymphoto website in the fall, and I made another trip to New York in December to participate in the Nymphoto's first exhibition, Nymphoto Presents.

This exhibition in a crowded loft on Warren Street stands out as one of the most memorable and significant experiences in my history as an artist. Not only was it a reunion of sorts for me with a lot of old friends from Oberlin College, some of whom I hadn't seen since we graduated, but I also formed new relationships with Nymphoto artists and met a dynamic woman named Jen Bekman standing in front of one of the pieces I was exhibiting (Bird Feeder, 2001).

Shortly thereafter, Jen and I struck up an email correspondence which lead to me return to New York in March 2003 to participate in the inaugural exhibition at her new gallery on Spring Street, which also included work by Mara Bodis-Wollner and Dana Miller. That was the beginning of a relationship with Jen Bekman Gallery which resulted in seven groups shows and a solo show in 2004, as well as my current involvement in her 20x200 project.

Probably everyone at the Nymphoto exhibition on December 5, 2002 has their own version of what that night meant to them and how it effected their individual lives and their relationships with photography, but what is perhaps undeniable is that this event had a profound and lasting impact on the futures of a number of women in the arts. Nymphoto's goal, to provide exposure to work by women photographers and to generate opportunities for their careers, was realized in a myriad of important ways. And nearly six years later, Nymphoto continues to devote itself to discussing work by women artists and addressing the issues and challenges that they face.

Tuesday, August 5, 2008

Brett Bell


Bugle Boy
2005
copyright Brett Bell


Shawn D & Nick in Bed
copyright Brett Bell


Essman Dunn Road
Sullivan, MO
2007
copyright Brett Bell

This morning, I had the honor and pleasure of participating in the MFA review committee at Parsons for a graduate student in the photography program, Brett Bell. I met Brett in January 2007 when I gave an artist talk to the photo students in the MFA program at Parsons. I was utterly nervous beforehand and slightly traumatized afterwards, and this sweet boy with a soft southern-sounding voice came up to me later to introduce himself.

Brett and I stayed in touch, and I gradually got to know him better as a person and as an artist. That Brett and I would come to recognize an affinity towards one another's backgrounds and experiences in photography was inevitable.

Brett grew up in Sullivan, Missouri, where he said this morning, there weren't any visible gay people. His early and untitled series of photographs shot in 2005 and 2006 in Missouri consists of portraits Brett constructed using his friends as raw material to create fictitious characters based on his own memories, longings and fantasies. With careful and sometimes campy staging and evocative uses of light and a sense of place, Brett creates a group of adolescent outcasts such a transgender teenager lounging on a bed in a pink room, a lonely overgrown tomboy with a tough and vulnerable scowl, and a number of sultry young men whose appeal is unmistakably homoerotic. Brett's cast of characters is simultaneously autobiographical and iconic of freak kids in small towns everywhere. His images look almost like film stills for a film that doesn't actually exist, but might be something like The Outsiders meets Mysterious Skin meets Hairspray.

Brett turns both towards and away from his appreciation of camp in later work. His campiest work is perhaps his series of images shot from television screens of male figures in soap operas who, when reframed by Brett, become objects of male desire. The title of this series, Sometimes Love is Like a Storm that Blows through and Destroys Everything in its Path, might be one of my all-time favorite titles for a body of work. Why? Because it is true and it is funny, and only a certain romantic type like Brett would come up with something like that, and I love those romantic types.

But perhaps Brett arrived at his strongest series of work, Life is Meant to be Shared, when he set aside his affection for artifice and exaggeration for a more straightforward and lyrical approach to making images. He combines photographs of young men that are more like sophisticated snapshots in contrast to his earlier staged images with beautiful and melancholic photographs of landscapes and interiors in his hometown. The connection to his subjects seems even more intimate, and his nostalgia for Missouri is heartfelt and moving.

Brett will be showing some of this work at two exhibitions later this month. Five of his images will be included in a show which opens at Agora Gallery on August 21rst, and more will be shown in his MFA Thesis Exhibition which opens at Parsons on August 27th.

Friday, August 1, 2008

Melinda Fries


Melinda
Avenue A
New York, NY
July 2008

If you are like me (and you are probably just a little like me if you are reading this), than you might have a number of relationships with people which exist as much as or even more than they do on the internet as in "real life," whatever that is. I, for one, have developed what feels like a deep and soulful friendship with a photographer and English teacher who lives in Virginia, Mark Burnette, based on reading one another's blogs and on our email correspondence. I have never actually met Mark and I don't even know what he looks like.

Pictured above is an old friend from Chicago, Melinda Fries, with whom I've had an active internet relationship for several years, though fortunately, we also do get to spend some time together once in a while. Melinda contributed to the cyber art world both as an artist and as the curator of ausgang, a collective website that evolves each season as artists and writers respond to old and new topics. In a class I have taught twice at the ICP called "Photographing the Everyday," I have asked students to consider ausgang topics in order to generate ideas for small projects and to potentially have the opportunity to participate in a creative community on the Web. Some ausgang topics include: Found Photos, Things in the Road, True Crime, Desire, Obsessions and $$$$$.

Last night was one of those times I got to see a flesh and blood Melinda, who is visiting the city with her new husband, Larry. I took the photo of Melinda outside a karaoke bar in the East Village, where we - or I should say, they - sang some tunes, as I am more of a behind the scenes type. As soft-spoken as he is, Larry sings a mean "Desparado," and we were all glad Melinda married someone so sweet.

Monday, July 28, 2008

Monday Morning

I am settled back into my Brooklyn apartment after the journey home with Paris. Thank you to everyone who sent messages, comments and even a postcard ... your compassionate words meant a great deal to me. I am happy to report that Paris adjusted incredibly well to my parents' house and seeing him come back to life in a kinder place after his struggles in New York brought an enormous sense of relief to me. Despite how much I will miss having him with me, I feel absolutely certain that it was the best decision for him and that he will live a longer and more peaceful life in Kalamazoo.

As for our road trip together, we made it to Niagra Falls and spent a night at The Sunrise Inn on Niagra Falls Boulevard. It wasn't quite the romantic experience I had hope for, as the driving and dislocation left Paris up all night crying and stumbling around the room in the dark, and me curled up on the bed, exhausted and heartbroken. But I am sure we weren't the first or last pair to spent a rough night together on the boulevard.

Now I am starting the next phase of my life, loving my dog from afar, getting ready for jury duty tomorrow, looking ahead at the rest of the summer and hoping I can finally take some photos again soon.

Thursday, July 17, 2008

Paris


Paris
Chicago, IL
1999
photo by S.M.

Tomorrow morning, I am leaving for Michigan with my dog, Paris. Paris is ten and a half years old, born on Christmas Eve in 1997, and I turn thirty-five on Sunday.

My ex-girlfriend and I got Paris in the winter of 1998. We had just returned to Chicago from a trip to Paris, the city, and seeing the dogs there was the last straw for me. There was nothing more important or urgent in my life than finding a dog for myself.

We found Paris in a family's home in the suburbs when he was two months old and so small we could fit him in a purse and take him out to eat with us at restaurants. He used to climb on my shoulders in the car and wrap himself around my neck like a scarf. He slept in the same spot in the crook of my neck and he chewed his way through most of my apartment - a mattress, pillows, shoes, a couple pairs of my glasses. We took him to puppy training school and he nearly flunked out, especially when it came to not eating the hot dogs in the obstacle course. But the teachers, like just about everyone else, were charmed by his irresistible sweetness and gentleness. We tried to crate train him for a while, but he protested by banging on the crate like someone in the kitchen throwing pots and pans. Whenever we took him to my parents' house in Michigan, he got especially wild and excited and raced in circles around their furniture.

When I was a kid, I told my mom when I grew up, I wanted to marry a dog. In many ways, I've felt like that is almost how things turned out for me. In the ten and a half years that I have spent with Paris, I've lived in three cities, nine apartments and have been in and out of a number of relationships. Paris has been the one constant presence - my rock, a child, a soulmate - whatever else it is that I can't put into words. Certainly, my most profound experience of unconditional love.

At night, we sleep wrapped around one another's warm bodies which fit together like they were made for each other. When I come home, giving Paris a hug and a kiss comes first, before past girlfriends and even the internet.

Our transition to New York in the summer of 2005 was hard on Paris. The concrete and stairs took a toll on his knees, and he eventually had an operation which helped a lot. His face grew more and more gray, but he continued to be the most handsome and beautiful thing in the world as far as I was concerned.

Living alone in this city, working long hours to support myself, making trips to develop my work ... all of that has lead to a great deal of guilt and stress surrounding my relationship with Paris. In recent months, as his health has rapidly declined, these feelings have consumed vast amounts of my emotional energy.

When I got back from my last trip out west in April, I discovered that Paris was losing his vision. I took him to the vet, but there wasn't much that could be done to improve his condition, and very soon thereafter, he became completely blind.

For the past couple of months, I have been trying to help him navigate the apartment and the streets and the stairs, which are the hardest obstacle for him. Recently, I have been carrying his eighty-five pound body down two flights of stairs twice a day because it is too painful and devastating to watch him struggle fearfully with the steps.

We have spent a great deal of the past couple of weeks holed up in my apartment - him crying and me crying. Sometimes he stands in the corners of the kitchen like he has no idea where he is, or suddenly falls off the bed, and is almost entirely losing his life-long enthusiasm for food. Whenever I move from room to room, he can't be too far away from me for any length of time without more crying.

After grappling with our situation and our future, I finally asked my parents if they would be willing to care for Paris in their home in Michigan and they generously agreed to help us. I simply could not wrap my head around the thought of him passing away in this city - taking him from one challenging environment, my building and the city streets, to a vet's office one day to be put to sleep.

My parents have a wonderful house with a grassy backyard and a lot less stairs. As much as this impending separation breaks my heart, I felt like it was the right thing to do for Paris to spend the conclusion of his life in a kinder place which has always been his second home.

We are planning to drive the northern route back to the Midwest, dropping down into Michigan through Canada. I hope we will spend Friday night in a motel in Niagra Falls, so Paris will have the opportunity to experience some fresh air and primal forces of nature that are hard to come by in Brooklyn.

It will be perhaps our last of many road trips together. For the rest of this month, I plan to tune off of the internet and work obligations as much as I can and give all of my love and attention to my dog.

Sunday, July 13, 2008

Friday Night

Some shots of the installation of 8 photography on a hot and sultry night at Randall Scott Gallery following the opening reception ...


Ryoko Suzuki (detail)


Jessica Dimmock (from The Ninth Floor)


Alexandra Catiere (from Behind the Glass) and Tema Stauffer (Gas Station, Tampa, FL)


Deinstall and Reinstall


Randall Scott


Tema Stauffer (White Horse and Car Skeletons)


Randall's assistant, Mary


Kyoko Hamada


Kitchen


Shen Wei (portraits from Almost Naked) and Ryoko Suzuki

Thursday, July 10, 2008

8 photography at Randall Scott Gallery

I've been knocked out for three long days with a summer cold, trying to pull it together to get on a bus tomorrow to DC for the opening of 8 photography at Randall Scott Gallery. Keep your fingers crossed or me that I make it on that 11:45 am bus at Penn Station.

I am very excited to be showing with seven other artists: Kyoko Hamada, Jessica Dimmock, Peter Van Agtmael, Alexandra Catiere, Shen Wei, Alison Brady and Ryoko Suzuki. The opening night will include work by all artists followed by four two-week two-person exhibitions throughout the rest of the summer.

Six of my prints, including both older and more recent images, will be shown along with Kyoko Hamada's portaits from July 12 - 26th.

Thank you to Randall Scott for noticing my work during his internet prowls and inviting me to participate in this exhibition.

Thank you also to a few people who have been especially supportive of my art endeavors in recent months: Bill Mondale, Charles Baxter, Mark Burnette, Matt Olson and Nina Corvallo. Your presence is felt in a major way.

8 photography
July 11 - Sept. 5th

Randall Scott Gallery
1326 14th Street NW
Washington, DC

Sunday, July 6, 2008

Gary and Nicole


Field of Sad Trees
Spanish Fork, UT
April 2008

One Sunday while she was digging away in her garden, Gary carved their names on the apple tree. He did it with a pocket knife, real nice, real neat: GARY LOVES NICOLE. Nobody had ever done that before.

Next day she had a lot of things to do, and kept wanting to get back. When she finally reached home, she cleaned out his car first, then climbed up the tree to a place above where he had done it, and carved out: NICOLE LOVES GARY. Then she went into the house just in time to meet him.

He came out into the backyard with a beer and she told him to look at the apple tree. He didn't see anything and she finally had to point it out to him. Then he was happy as a kid, and said she had done hers better than his. Told her it was a beautiful heart she had carved around the names.

excerpt from The House in Spanish Fork
The Executioner's Song by Norman Mailer

What were the odds of driving around Spanish Fork and finding the apple tree where Gary and Nicole had declared their love for one another thirty two years ago? Pretty slim, I thought. Like finding love itself. And making it work.

Spanish Fork, where Gary briefly stayed with Nicole, was drearier and poorer and tawdrier than Provo. Dark clouds hung over the town and seemed perfectly right for my impossible mission and my own disillusionment.

Does the fact that these dark clouds got me excited make me some kind of truly gloomy person or just practical-minded when it comes to telling a story?

I made a sincere effort to look for the most romantic and/or saddest tree I could find with no idea what it would look like when I found it. I found these trees in a field that separated the town from a National Guard unit on its outskirts, and they looked sad enough for me to stop the car and set up my camera.

I simply didn't have the patience to stay in Spanish Fork for ever and ever looking for a tree I'd never find. Some things are just made to stay in your mind like a fantasy or an ideal. I imagined Gary and Nicole walking through the field to carve their names on one of these trees instead. Maybe it was a sunnier day if it is ever sunny in Spanish Fork which was hard to picture at that moment, though I had often imagined the two of them under a hot sun, sweating.